It’s a fun challenge to walk around the Eiffel Tower and try to get photos without tourists in them. I mean, getting some tourists in the shot is not a bad thing at all, since it kind of goes with the territory. In most cases, I would recommend finding some shrubbery and trees and getting the camera down quite low to the ground with a wide-angle lens.
I know there’s gonna be no travel soon, but it’ll come back after this season passes! In the meantime, join me in Paris for this fun edit of the Louvre if you’re a Passport Sunday member!
This photo from Paris was quite a fun photo to edit… I hope you enjoy watching the process!
I took this one with quite a wide-angle lens, but I like how everything is a bit warped and strange. I believe I took this back in the Nikon days with my 14-24mm lens. Man… that still is one of my favorite lenses of all time and I wish I had the equivalent on the Sony!
Here’s the photo below from the fine art collection at www.TreyRatcliff.com. This Paris museum shot is made from over 250 photos… We only do 3 prints of each of these, and this one is sold out.
Here’s the above piece hanging in the home of one of my collector’s homes in Beverly Hills. He actually has two pieces hanging in here and another two in two more of his homes. As with all collectors, I am very thankful to him!
I just rewatched this movie on the plane for the fifth time and it still holds up. It’s easily in my top 3 Woody Allen movies and if you haven’t seen it, get it way up there on your list. Plus, I found the whole thing to be super funny… my favorite character is definitely Hemingway.
In that same romantic sense, I like to roam the streets of Paris at night in search of scenes like this. They are all over the place, but it’s best to find the narrow streets like here in Montmartre. I wait around for nice color combinations in the background and with the characters walking around.
Today, I thought I’d show you the same place from two different perspectives. This is one of the works from our Fine Art Series 1 that has been sold out (thanks awesome collectors – glad you are happy!).
I just can’t get enough of this museum! I took hundreds and hundreds of photos in here. Choosing the best was a labor of love. I must admit that I like the one above much better, but it is still interesting to get a slightly different perspective on the same place.
Want to get the whole tutorial for Midnight in Paris? It’s a great and full collab I did. Here’s the video preview!
What a cool idea this was, if I do say so myself! I decided to do a workshop right outside of Paris and we rented this whole chateau for a few days. It wasn’t actually as expensive as you might think. It was a little weird for a few reasons. One is that a family was living in one of the corner rooms, but we never saw them. Also, about half of the rooms were abandoned and there was all kinds of creepy stuff inside. It made it even more creepy when we pictured that the family was living in one of those creepy rooms.
Be sure to visit our workshops page to find out what’s happening next. In this little promo video below, you’ll see quite a bit of footage from Africa!
I’ve had a ton of fun going back into my unprocessed back catalog and re-processing them with some of these latest tools. In today’s adventure, you’ll see a fairly “harsh” (maybe that is too harsh of a word) treatment of this street scene from Paris.
Here’s one of my favorite (and rather simple) photos from Namibia. The deserts there are so beautiful, and it is a little confusing to figure out where to shoot. It all sort of looks the same, in a strange, flowing way. So, I found this all to be a particularly interesting challenge… actually I think everyone at our Africa workshop did!
I hope you’re enjoying these! They were a lot of fun to make.
A few weeks ago, one of my collectors had a fun party at her house so people could experience her new art! This is a quick mobile-phone shot I got with my Pixel 3 (not bad, eh)? That shows off how massive this piece is. You should see it at night! I’ll have to go back and get a photo of it then. Anyway, this particular one is now sold out, so that’s pretty cool. All 3 are gone… one was purchased by an NFL player, and I think we’ll have a party there soon too! See more about the fine art at www.TreyRatcliff.com.
Wow this was quite an epic mission! I recently sold all three prints of the Jules Verne museum photo to three collectors. All interesting people too… one of them is even an NFL player. Anyway, because these print out So Huge (almost 10 feet or 3 meters across), I decided to go through them with a fine-toothed comb. I found A LOT of problems, so I decided to re-create the whole thing from scratch once again. Yes, out of the core 225 photos. But now it is really perfect… something else, really!
If you’re a Passport Member, then you can see more about the “making of” this monstrosity!
Here’s probably more about this piece than you ever wanted to know!
This is perhaps the most-awesome and least-visited place in Paris. Everyone goes to the Eiffel, Arc-de-Triomph, Louvre, Orsay, etc, etc, but who would take time to visit the Museum of Evolution? Just me and other cool geeks like me. I had a hot tip from a friend that said, “If Jules Verne were to design a museum, he would make this”. Say no more, I was there immédiatement!
You can see the exact place where I took this photo in this highlight video from the Paris photo walk!
This is one of the most famous bridges where lovers go to secure a padlock as a symbol of their undying love. I’ve never done this and I don’t know the actual ritual. But, I would assume that they would lock it and then throw the key into the Seine river below. That seems like it would be romantic. Anyway, apparently, the sheer mass of the locks turns out to be a bit of a hazard to the bridge. I never understood this, as I would think the bridge could easily handle the physics of that situation. Either way, officials come by on occasion to cut off the locks. But I wonder if anyone has ever gone down to the bottom of the river to see how many keys are down there on the bottom.
