This is the road I got stuck on after my 4-wheeler caught on fire. Now, of course, I had all my photography equipment with me… who wouldn’t take a whole host of photo equipment on a 4-wheeler joyride? I don’t know! I mean, you gotta be ready just in case the dang thing catches on fire!
Here’s that recent Machine Elf, now in glorious 8K/360! 🙂
Here’s one of the many amazing villas that are scattered around the resort at Laucala Island in Fiji. It’s one of those situations where you never see your neighbors and you feel incredibly private. So private, in fact, that I spent most of my time inside and outside completely nude. I don’t know why I needed an adverb in front of nude. The word itself is already complete.
I recently re-worked a few of my older photos for an exhibition with Vanity Fair and the Oscars. There was to be a bit of a “film” feel, for obvious reasons, so I went back and used various cross-processing techniques for the shots. This is a process where you push the whites into one color space and the blacks into another. Every scene is completely different, so I may start with a preset but then push it into another direction.
I had an amazing and rather hot time in the Sahara. To get this photo, I had to go up a huge dune on foot. I gave my own camel a break and decided to walk up. How hard could it be, I figured. Even with my past troublesome dune experiences. I figured wrong. And that night, I got so dizzy and sick, then realized it was probably because I hardly had any water… even though I’ve seen thousands and thousands of shows and movies about people not drinking enough water in the desert, I was so excited that I forgot to drink water!
Here’s a photo from my road trip around the North Island of New Zealand. This is one of the coolest golf courses in the world called Tara Iti. It runs right along the beach and when the sun gets low, you get some pretty incredible shadows along the fairways. I like shooting on golf courses, but I don’t always like making it obvious it’s a golf course. I like the idea that it’s a beautiful place that’s just convenient for playing golf if you want to.
Welcome to a very different Machine Elf creation (This time re-rendered in 360)! All my latest ones seem to be my favorite, but this one definitely gives a new perspective on the cinematic quality and storytelling of fractals. This creation was incredibly complex and took about a month for the visuals and another month for the music from Joshua Ryan. We’ve been collaborating on this one forever and now it is finally ready for release!
This creation explores how incredible complexity and the fabric of the universe could possibly be boiled down to a few combined fractal equations. I’ve always been fascinated by the fabric of the reality around us. Maybe it’s just math, or a higher order of mathematical formulas that collide with different sorts of energies. It’s really hard to say, eh? All these Machine Elf creations explore different facets from the same jewel of the reality that is being built around us all the time.
The light was hitting this valley in the most amazing way. I’d like to say I was patient and waited on the perfect lighting. I wasn’t. I was just very lucky and happened to be in the right place at the right time. I’m not sure of the name of that peak there on the right… anyone know?
This is one of the many cool sculptures at The Hills country club in Arrowtown. The guy that owns it is Michael Hill, who also owns one of my prints and hangs it in his home here which is located on the golf course.
In my various journeys “to the other side” I’ve had a repeated message from the entities that not only everything is connected, but we are all in one in a beautiful and crazy dance together. This has always been one of my favorite Jon Hopkins tunes. It’s incredibly complicated with wild layers, so I built a series of hybrid fractals to explore the visual space around the song and take you on your own journey of visual meditation. Enjoy.
