The Movie Set of New York City – Stuck in Customs

The Movie Set of New York City

Paris Shot How To

I’ll be in Paris in just a few weeks for the workshop at the chateau (see the Photography Workshop Schedule)! Here is a video that I made during my last trip to Paris that you might enjoy if you have not already seen it…

Tanya Rochat’s Digital Castles

Daily Photo – The Movie Set of New York City

I shot this from the Google offices in Manhattan a few weeks ago. Luke and I ended up staying up late at the offices, and we wanted to wait until the sunset rolled through… and when sunset finally came, we discovered that we could not even go outside! All the windows and doors had been nailed shut by security, so there was no chance of getting out. Instead, I had to commandeer a conference room and turn out all the lights so I could get a clean shot out the window.

Over on the left side, you can just see the edge of the Brooklyn Bridge.

The Movie Set of New York City

Photo Information

  • Date Taken2012-08-17 21:16:37
  • CameraNIKON D800
  • Camera MakeNikon
  • Exposure Time15
  • Aperture5
  • ISO100
  • Focal Length85.0 mm
  • FlashOff, Did not fire
  • Exposure ProgramAperture-priority AE
  • Exposure Bias

Tanya Rochat’s new eBook, Digital Castles, is insanely cool. Even if you think “I can’t do that!” I invite you to get into the book anyway. No doubt you will discover many new tricks in post-processing that you can re-use in your own craft.From the description:

A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that would otherwise be too expensive or impossible to build or visit. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage. At its best, depending on the skill levels of the artists and technicians, the effect is “seamless” and creates environments that would otherwise be impossible to film.